guess you could say I'm mark twaining

a nocturnal beast who just wishes she could wake up to coffee, a doughnut, and instant internet fame

ilyone:

kismesister:

friendlytroll:

mamasam:

stopthatimp:

nani was NINETEEN and such a fucking badass who was so protective of lilo and just ROLLED with aliens being a thing towards the end of the movie. #1 Disney relative of all time.

I have honestly been waiting AGES for the right gifset to express the wonderful perfection that is Nani. She is not only protective of Lilo, she respects the way Lilo’s imagination and quirkiness works.

Pudge the fish got a peanut butter sandwich every Thursday. Nani does not argue the logic of feeding him, only suggests an alternative sandwich when they are out of peanut butter. Lilo was allowed to take as many photos of whatever mundane or odd subjects as she wanted and Nani would get them developed. Nani recognized what were important habits for Lilo.

When Lilo asks for a pet lobster, Nani does not tell her that lobsters are not pets. She tells her, “We don’t have a lobster door, we have a dog door.” She makes sure the woman at the pound does not tell Lilo that “Stitch is not a real name”.

NANI SPENDS THE ENTIRE MOVIE MAKING SURE THAT LILO NEVER FEELS LIKE HER IDEAS ARE WRONG.

The only time we truly see Nani get angry with Lilo is when she is scared of Lilo being taken away. Nani spends the entire movie stressed out over taking care of her sister, trying to find a job, trying to make sure her sister has a friend, and yet she is always willing to put that extra effort, over and over again, to make sure that Lilo always believes that anything is possible.

This is a great moment because she probably *remembered* that Lilo said this once. And you know what? Shes not ending this day by letting her little sister think this is her fault. She’s not having an easy time trying to be a parent, but she knows none of this is her sisters fault, and shes not going to let her think it is. 

And half of her terror of losing Lilo isnt even just losing her family; its knowing that wherever Lilo goes, they won’t know how to do these things. They won’t understand her. 

What a good movie. 

Casual reminder that the reason Lilo obsessively feeds the fish is because her parents died in a rainstorm and she firmly believes Pudge controls the weather. If you pay attention to the feeding sequence you will notice that storm clouds recede and dissipate, a visual narrative that confirms this.

It’s not just a habit. It’s a very real part of Lilo’s healing process and Nani understands that.

Also if you pay attention to Nani’s room you’ll notice she had surfing posters and trophies. She was very much on her way to being a pro surfer but had to give it up to become the adult Lilo needed her to be.

And not ONCE does Nani show her sister any resentment. It’s worth it to keep her family together. This is a young woman who is willing to sacrifice all of her dreams and make incredibly grown up decisions.

What I am saying is Nani is the best disney princess of all time. Disney Queen even.

Dean De Blois, ladies and gentlemen, genius director and writer of friggin’ amazing nonnormative characters, family and relationships. I may worship that man, a little bit. From Lilo and Stitch to HHTTYD, he really gives us amazing movies. 

(via gaelissfelin)

The basic plot, which cannot be ignored even in the films, is that Harry, Hermione and Ron give up everything for their political struggle. They drop out of high school, they go illegal, defy the government, belong to an underground organization [The Order of the Phoenix], operate out of safe houses and forests and even raid offices of the government and banking offices. This is all done in principled opposition to the Dark Wizard Voldemort and a corrupt bureaucratized government that has been heavily infiltrated with his evil minions. This is revolutionary activity. But the movie version does not present it as such or emphasize these radical aspects of the plot, thereby entirely missing the dramatic sweep and action present in the first half of the last novel.

The novels recognize the importance of alternative media for political struggle. The mainstream press [The Daily Prophet] is shown as unreliable and unprincipled, eventually deteriorating into a fear-mongering propaganda machine for the Voldemort-controlled bureaucracy. For a while the alternative but above ground media [The Quibbler] publishes the real news, but it ceases to print after the daughter of the publisher is kidnapped. In the book, friends of Harry [Lee Jordan, with Fred and George Weasley as frequent guests] start broadcasting the real news from an underground radio station, encrypted with a password. This radio station becomes a critical link for the resistance, which is scattered and weak. Although we are treated to some radio broadcast updates in the movie, they are delivered by a disembodied and professional sounding voice, not our friends the Weasleys. This undermines the important message - a guiding principle behind the media coop - that in a serious situation it becomes necessary to produce your own media and not to rely on ‘professionals’.

The novel makes it clear that in this phase of the struggle the characters romantic lives take a backseat to their political activity, as Harry breaks up with the love of his life [Ginny Weasley] so as to avoid making her a target for Voldemort’s forces, who are known to use torture and kidnapping as tactics. The ‘love triangle’ that becomes the focus of the movie isn’t even really present in the books. In the books, the relationship between Harry and Hermione is totally platonic - Ron is shown as jealous, but the feeling is entirely without foundation. In the book Harry says to Ron: “I love her like a sister and I reckon she feels the same way about me. It’s always been like that. I thought you knew” (pg 378, DH US Hardback). This conveys that men and women can be close comrades and friends without being involved romantically. But in the film, Harry and Hermione are shown dancing romantically, and Harry’s line to Ron about his brotherly feeling towards Hermione does not even make it into the film. This completely undermines the important message that jealousy is counter-productive and has toxic effects, which is an important feminist message for young people.

How Hollywood Defanged Potter’s Radical Politics  (via girl-germs)

Worth a repost

(via wolvensnothere)

HP is one of the most fundamentally anti-establishment, anti-authoritarian, radical books in a WHILE. The books are incredibly diverse in race and gender, including villains. While everyone was screaming about Pullman, and hanging their hats on the witchcraft in HP, Rowling basically put out a roadmap of revolutiinary youth.

Everyone likes to pull the, “Deatheaters are Nazis,” subtext but if you look at the timeline of the text and publication, it’s pretty clear that politically, this is an England/Ireland/Scotland/Wales under Tory rule and in the midst of the Troubles & Thatcherism from the start, with subsequent books written and published in a post-9/11 world.

Rowling wrote the root, branch, and flower of politics and power creating death and despair, where love and unity by choice were the strongest powers. There are reasons for that.

(via carnivaloftherandom)

Can someone make a master post of academic discourse surrounding Harry Potter? Now that I’m not in college anymore I do sorta miss reading research papers and essays… but not so much that I want to read ones that aren’t about HP.

(via yeahwriters)

(Source: itchesandtugs, via yeahwriters)

beatonna:

I’ve been taking some pictures as we are home here, Cape Breton is a nice place.

Canadian summers are the best summer uwu

blackbarmitzvahs:

Can you imagine the conversation though?
Queen: I’m going
Chief of Staff: But, Your Majesty, the security risks…
Queen: I’m going I want cake 
Chief of Staff:
Queen: 
Chief of Staff: 
Queen: I want cake

blackbarmitzvahs:

Can you imagine the conversation though?

Queen: I’m going

Chief of Staff: But, Your Majesty, the security risks…

Queen: I’m going I want cake 

Chief of Staff:

Queen: 

Chief of Staff: 

Queen: I want cake

(Source: youknowyourebritishwhen, via gaelissfelin)

adventuretime:

Over the Garden Wall — Behind the Scenes

It’s no secret we’d do just about anything to support the wonderful work of former Adventure Timer Pat McHale, so it shouldn’t be a surprise we’d post this behind-the-scenes video for his upcoming Cartoon Network project, Over the Garden Wall. It looks so good!

!!!!!!!!!!!!!!!!!!